Facebook tossed this memory from today, 2015 in my face just now. I was visiting Walt Disney World and I had to vent…

Some days I visit he’s being a jerk and doesn’t want to talk to me. Others, like last night, he’s all warm smiles and cheerful eyes and just can’t stop talking and we stay long past park closing time and I’m walking on air all the way back to my room. But then it’s always why can’t we spend some time together outside the park and his comfort zone won’t allow it.

So either way I have to struggle to get my vacation started back up again. If he’s grouchy then I’m miserable and just want to go home. I’ve called vacations off early when it’s been that. If he’s full of sunshine and smiles then I feel like I’ve hit the high point of my trip and why bother staying. There’s that back to the reality of things after the visit let-down to climb back out of somehow. I have to remind myself I need the break regardless.

This morning I’ll hit the grocery store for some perishables I couldn’t bring down with me, and more ice tea, and maybe something from the liquor store so I’m not always paying Disney prices for alcohol. Then spend the rest of the week chilling out, maybe working some more on A Coming Out Story (I brought my drawing things). But I’m in a state now I really have no words for, or at any rate words I’m willing to speak. He said something to me that lifted me out of myself in a way only someone who really gets you can. And it took a load off my psyche certain other gay someone’s I know weighed me down with for years.

It was all about how I don’t interact well with people. Too shy, too self absorbed, blah, blah, blah, your photography has no people in it, blah, blah, blah… Biergarten is “Octoberfest” seating, which means you get seated at a table with other random guests and you’re expected to talk and share a good time together. This time I was seated with a group that seemed really stand-offish. They just gave off chilly vibes. But after a while I got them talking about where they’re from and what they do, and of course when they found out I work at Space Telescope and on Hubble and James Webb they got all interested in that. And by the end of the night we were all chatting happily.

And after they left he and I were chatting and he noticed too how chilly that group was initially. He’s worked this line of business for so long now he can probably read a table the second he walks up to it. Then he said he’d always seen me open people up and that I was good at it and that I was always getting everyone talking and having a good time no matter how chilly the table seemed at first.

Well…yeah… One thing is you always know you’re with other Disney people here…so that’s something. It’s not like you’re in some random bar with bad mood people. We’re all Disney people here. And that Disney kid just comes out of me here. It’s a kind of freedom to be that kid I once was I never really appreciated I was missing before I started coming here. But I’m not the hopelessly detached single certain other people somehow managed to convince me I am either. I’m not that…so how did I get to thinking of myself like that? He just pulled that out of me with a few words and the look on his face when he said it.

He does that. It’s when someone shows you things about yourself you didn’t know, but should have known, that makes it serious. And…it’s been like that since we were teenagers. When he’s not in a touchy mood, it’s still like that.

But we never got the chance other kids did. And now he has his comfort zone, and I need to get on with my vacation. Somehow.

It was around this time that I’d figured out that if I told him in advance I was coming down he wouldn’t have anything to do with me, but if I just showed up it was all smiles and happy face and good times. Something just less than a year later we had nuclear war…I’d told him I was coming down and he lied about being on a ski trip and I shouldn’t bother and I came down anyway and he was so stand-offish even the new servers there noticed something was wrong with him. Afterward he sent me a nastygram telling me never to speak to him again and I blew up because I hadn’t done anything wrong or said anything to him I hadn’t said dozens of times before…and it was all over, and with it every memory I ever had about it being good…wonderful even. It’s amazing what tricks memory can play on you. If it wasn’t for these occasional Facebook memories I wouldn’t remember it ever being good with him now, not even back in high school. But it was. I wasn’t twitterpated for no reason. He felt it too. But whereas it lifted me out of myself, erased every shred of guilt or shame I might have had, it must have done the opposite to him.

…which set a pattern for the rest of my life. Because I would always fall for the nice boys…the ones I might have met in a better world at a church social, or coffee house. But in the world I grew up in all those nice boys were terrified. They didn’t want their families to hate them, they didn’t want God to hate them.

I’ve made my allegiances, I have to stay in my comfort zone…

So it goes. I reckon. I should get back to work on A Coming Out Story now that Facebook gave me that. But everything from back in the day is bad now. I finally found the guy I wrote about in this blog post (link) and he didn’t win his race. His life took a really bad turn through no fault of his and discovering that is really heartbreaking. And now this Facebook memory is something else to tap me on the shoulder, and whisper in my ear that everything is pointless.

In my senior years I’m basically just walking forward on auto pilot, going through the motions because what else is there to do…

…and it’s cutting me to ribbons.

No offence to the singer here, Ty Herndon, who came out last year and changed the pronouns of this song, which was a hit in its previous incarnation. It’s wonderful in so many ways. That he found the courage to come out and live an honest life. That he updated this song with the pronouns that reflect how his heart saw the song when it first came to him. That gay kids and adults can hear music that speaks directly to us. So long have I mentally flipped a pronoun or two while listening to pop music, to at least imagine it speaking to me.

But for reasons I won’t go into now…or maybe ever…this particular song is both wonderful and devastating. Now I need a drink…

The people I let into my life, become friends with, hang out with, enjoy the company of, get the very rare crush on, are broadly folks who are smart, have big hearts, are curious and imaginative, and…just don’t quite fit in. These tend to take two very different paths through life. I have walked them both.

Some make their way up the economic ladder. They eventually snuggle into some small nitch where they can use their minds in ways they either enjoy or at any rate are very good at, and in which their odd little quirks, as seen from the herd, either don’t matter or add decoration and color to the workplace. Many of my own group of friends eventually found work in Information Technologies where we’re kept safely away from the public, behind our computer screens where we can can geek out to our heart’s content. But some I know are lawyers, musicians, cartoonists, theater people…

For a while I was earning a bare bones living as an architectural modelmaker. It was as basic a lifestyle as could be, but I was enjoying myself. At various points in my life I’ve tried earning a living as a photographer, an illustrator, a political cartoonist. It wasn’t until I got work as a computer programmer that I could breath economically. That’s typically how it goes. The arts kids I know generally don’t make a lot of money, some of them live hand to mouth. But if you’ve ever tried to make a living as an artist you really have to respect anyone who has managed the trick, regardless of how low income their lives are. Most have their “day jobs”. Work they hate but which allows them time and money to do the work they love.

But there’s another, darker path some of these take: they go down the economic rabbit hole. Then they find themselves living on the edge of society. They never get the break they need, never find the good nitch to occupy. They become drifters economically, then eventually if they can’t find their nitch, transients with no fixed roof over their heads.

Invariably these attract the attention of the police, too many of which seem to thoroughly enjoy harassing them. And one minor offense snowballs into another and another and late in life they’re in and out of jails and/or halfway houses. If not sleeping on the streets. 

That is how the economic system in this country works. Oh, you don’t have a bank account? Oh, you haven’t held a job longer than a few months? Oh you don’t have a mailing address? An automobile? A phone? Good people. Smart, decent, big hearted, beautiful souls who could make their contribution to civilization if they could just catch that one lucky break. But not only are they a bit odd, they’re in pain. The kind of pain doctors can’t cure. They may not even know they’re in pain because they’ve just lived with it for so long. Hemingway knew the risks of having that big heart inside of you:

“The best people possess a feeling for beauty, the courage to take risks, the discipline to tell the truth, the capacity for sacrifice. Ironically, their virtues make them vulnerable; they are often wounded, sometimes destroyed.”

I have seen the system get hold of one of these and grind them down just for the shear pleasure of doing it. Because they can. These are not violent predatory people but they are easy marks for bullies. Because the inner beauty still there within the destitute man in front of them is a rebuke. 

As I said, I’ve walked both these paths, though luckily not to the degree I’ve had repeated run-ins with the law, or been homeless. A classmate gave me a place to live when I had nowhere else to go and I was mowing lawns and doing Manpower jobs to make ends meet. Then I got my lucky break and now I’ve a nice little Baltimore rowhouse and a wonderful job and a very good income. But it could have been lots different. Within I am no different from a bunch of people I know, who are living hand to mouth and just couldn’t catch that break. We’re all just a bit odd. If you can’t make your oddness work for you the culture tosses you into the garbage heap without a second thought. Well, he shouldn’t be so odd, he needs to straighten up and make something of himself. But he was something. And now his contribution is lost to all of us.

Straighten up and fly right. Yes. Quite. It’s a double whammy if you not only happen to be a bit…different…but also gay. Particularly my generation, or older, or a bit younger. Maybe you clawed your way out of the closet. Maybe you accept yourself, as the old song goes, just as you are. But growing up under a torrent of social fear, hate and loathing does it’s work on you all the same. And especially so if your own family has abandoned you. You avoid confrontation, stay hunkered down lest you step on yet another social landmine. Risk aversion is wired into you. You accept being less than you could be, because good enough carries with it less personal and emotional risk, then being all you can be does.

It is the ball and chain you wear every moment of your day, and maybe you don’t even know it’s there anymore it feels so familiar. It degrades your economic life, and for certain it impacts your love life. How can damaged goods see themselves, present themselves, as a worthy lover?

Why am I telling you all this? Maybe in a day or two I’ll explain. Or maybe not. It isn’t about me. Mostly. I am however, very much afraid.

Continuing with the Intermission, wherein I’ve sought answers about my sexual orientation in the bookstore, and purchased Doctor Pompous J. Fraudquack’s The TRUTH About Homosexuality…and I begin to read…

Intermission – What I Learned About Homosexuality. . . And Myself (Part 2)

I’m going to interleave this little story arc with the one I’m currently presenting, so if it gets a tad confusing blame my poorly developed storytelling skills. But this is where it’s all been building to. The subtitle of the cartoon is after all, The first person you come out to, is yourself. For some gay kids that isn’t easy, and it especially was not back in 1971.

This is for all the Valentine’s Days I missed out on. Because it’s hard to date when you’re growing up in a world that throws a torrent of abuse at people like you. Because all the nice boys I was attracted to were too terrified to be out, let alone proud. Because righteous people needed our hopes and dreams for their stepping stones to heaven. And because “people who look like that want people who look like that.”

My entire purpose in doing A Coming Out Story is it’s a message in a bottle to whom it may concern, that gay kids need a break. Let them have that magical first crush. Let them have their prom nights. Be the one who tells them “you’re alright kid.”

—-
“No, Mama, I wasn’t “recruited.” No seasoned homosexual ever served as my mentor. But you know what? I wish someone had. I wish someone older than me and wiser than the people in Orlando had taken me aside and said, “You’re all right, kid. You can grow up to be a doctor or a teacher just like anyone else. You’re not crazy or sick or evil. You can succeed and be happy and find peace with friends — all kinds of friends — who don’t give a damn who you go to bed with. Most of all, though, you can love and be loved, without hating yourself for it.”

“But no one ever said that to me, Mama. I had to find it out on my own, with the help of the city that has become my home. I know this may be hard for you to believe, but San Francisco is full of men and women, both straight and gay, who don’t consider sexuality in measuring the worth of another human being.

“These aren’t radicals or weirdos, Mama. They are shop clerks and bankers and little old ladies and people who nod and smile to you when you meet them on the bus. Their attitude is neither patronizing nor pitying. And their message is so simple: Yes, you are a person. Yes, I like you. Yes, it’s all right for you to like me, too…”

In which our hero discovers zipper anxiety…

A Coming Out Story…Episode 29 “Are You Serious?”

A Coming Out Story, episode 29, is…er…coming out slowly. So I’ve been putting up the strips as I’ve finished them, if you want to take a pre-release peak. This is why I’ve been a bit lax in posted to the blog here. I’ve been spending all my free time in the art room.

I have the last two panels up now, but they’re unfinished as yet. As I add details and such I’ll update them. When it’s all finished I’ll post a link, but anyone who’s been following this story already knows where to go.

I don’t know if I’ll continue doing this posting the unfinished strips as I go along. This particular episode is where the story takes an important turn, and soon the kid I once was will have to deal with a wee bit of self discovery…or more specifically the end of denial. After the heart attack last October I’m feeling some pressure to get this thing finished while I still have time to finish it. And there is still a lot of it left to go. This one has been so time consuming. I’m gonna try to make the episodes a bit smaller in size from now on. This one I could have easily split into two separate ones.

The last two strips in episode 29 involve…boots. 60s, early 70s boots guys wore, with a zipper down the side for getting in and out of them. The ones in question were black leather, and before I started work on this episode I had an idea of how to do them in the monochrome/cross hatching technique I’ve been using throughout the series, but I wasn’t sure I could pull it off. Getting a three dimensional lighting effect off a material that’s dark and unreflective to begin with isn’t something I was sure I could do.

This is where my utter lack of formal training really bites me. But I’ve been working with this stuff for decades now, and I had a hunch about how to go about representing it. Plus, and this was a big help, I had a photograph of the incident in question to work from for reference. So I could see what the end result was that I had to get to, I just wasn’t sure I knew how to get there. But I just now gave it a shot and I’m really happy with the outcome. Looks better than I’d hoped. This is how untrained hunt and peck artists get their self respect points.

I’m done with Photoshop and anything basically to do with Adobe. I paid full price for a Windows copy of Photoshop so I could run it on my Windows laptop if my art room Mac crapped out on me in the middle of something I was working on. Some months ago Adobe bricked my copy on the basis that I’d bought a bulk license copy from the reseller and that license had expired…several months before I bought the copy. This despite the fact that Adobe went ahead and activated my copy anyway, and let me keep on using it for two more years. So one morning I start Photoshop and instead if getting my desktop I got a HUGE popup telling me my copy was invalid and demanding I fix the problem. And of course the fix would have been to start renting the product instead of buying a new perpetual license since they don’t sell those anymore. Now it’s all rental software. And I am not the only one by far who isn’t taking that bait. But that’s obviously why they bricked my copy.  It wasn’t a problem when I activated it, and I’ve spent thousands over the years on Adobe software and before now considered myself a loyal customer. But their software rental policy isn’t working out very well for them, judging by the static they’re constantly getting on the social media forums, so they started looking for excuses to turn off anyone’s copies they could, to try and force those of us who were standing pat on CS6, the last perpetual license they sold, to become renters. 

When I called support and complained that I’d paid full price for that copy the corporate droid at the other end told me to feel sorry for all the money Adobe has lost to piracy. At some point I need to make a Sorry For Your Loss sympathy card to send to Adobe for all the money they’ve lost to artists who’ve gone elsewhere due to their software rental scheme. I’ll make it with GIMP.

The current version of GIMP is working out very nicely for my online artwork. In some ways it’s even better than Photoshop. At some point I need to find alternatives to Lightroom. mark my words, sooner or later they will turn off everyone’s perpetual licensed copies because they can. Somewhere buried in all those license agreements you have to agree to, is a clause allowing Adobe to unilaterally change the terms of the agreement whenever they want. When you buy software that can be turned off remotely whenever the maker wants you have bought nothing.

“It felt like a dirty little secret, it felt like I had chains wrapped around me, I couldn’t be who I was, I felt alone and trapped. Just telling one person made me feel so much better, just that one person took a weight off my shoulder. I told Sophie my best friend first as I knew she’d be really accepting of it. She’s been so supportive and there for me. Now that everyone knows, I have nothing to hide, those chains that I felt wrapped around me are gone and I can carry on with my life as normal and be happy. I felt like there was something wrong with me, I didn’t know other people out there felt that way, I felt so alone, so locked away and couldn’t say anything. Tell one person. Tell your story, how you feel. Everything is all pretty new so I don’t see any point in putting a label on it – gay, bi, straight, any of those kind of labels. All that I feel happy about at the moment is that I’m dating a guy and couldn’t be happier, it shouldn’t matter who I’m dating and I hope people can be happy for me.”

-British Olympic diver Tom Daley.

What makes me sad reading this: it was 2013 when he told the world this during an interview. I could see reading this as a message in a bottle from someone back in 1971 when I came out to myself. But…2013. Why was this still happening to young people in love in 2013?
 
Why is it still happening? To any of us in love?
 
 

Last September I posted a link to the most recent episode of A Coming Out Story, that I’d managed to get out while vacationing at Walt Disney World. It’s part of a story arc I’m interleaving with the point in the story where I finally, Finally, come out to myself. The last frame has a shout-out to Howard Cruse in it…something I’d remembered from a one off cartoon he did for The Village Voice titled “Sometimes I get so mad…” It’s about all the static gay folk get from all directions in American culture and how that makes you blow your stack from time to time. You just want to live your life and people who don’t know you from Adam feel free to harass you and it takes its toll. At the end of it is a young Howard, sensing his emerging sexuality, trying desperately to find some facts about homosexuality, nervously looking through the pages of a paperback titled “A Pocket Guide To Loathsome Diseases” by one Doctor Pompous J. Fraudquack, and thinking maybe he’d finally get some facts there.

I knew the feeling all too well, even though I was nine years younger and in 1971 coming out to myself in a theoretically post Stonewall world. It would be decades before the effects of Stonewall and the first ever Pride march a year later would make themselves felt much beyond the confines of the big urban gay zones. For years after I came out to myself, everything I knew about homosexuality and what it was to be homosexual were things I’d been taught by the heterosexual majority. A lot of it was hostile and damaging to a gay teen’s self image. It wouldn’t be until the advent of the personal computer and those first amature computer bulletin boards that we didn’t have to see ourselves through heterosexual eyes anymore and liberation came to the suburbs and the rural zones.

The main theme of A Coming Out Story isn’t so much about what happened to me back then, or the guy I was crushing on at the time, and what happened to us both, but the context in which it happened. I’m trying to tell it in a humorous way, because looking back on it there is a lot there that I can laugh about, thankfully, with an older man’s perspective. But it wasn’t funny then while it was happening to me, and if I’m trying to say anything with this story it’s that the world needs to give sexual minority kids a break. It’s difficult enough at that age to navigate your way through the dating thing with all those emerging hormones percolating through your body. Being the outliers in that dance is harder still. Beating up on the gay kids, damaging their ability to love and accept love from another, only serves the hate filled worst among us…all the little Dr. Fraudquacks who taught us to hate ourselves, or at minimum, distrust our hearts, believe ourselves to be damaged goods, unworthy, never to be loved. It snowballs, all the love that could have been given, and now will never be, on and on and on. And so the world gets smaller, and angrier, and darker. That is what the Dr. Fraudquacks are doing to all of us.

I posted a link to the episode when I finished it and got it out on my website. Then in a comment, I gave Howard a shout-out, as to say Thank You…I remember this little one off you did and it spoke to me and I just want you to know you made a difference. Over the years I’d told him this often. But you can’t thank people like him enough. Trying to make a living at art is a hard, hard path. Doubly so if you dare to be an out and proud gay cartoonist. He never got the commercial success and respect he deserved and I’m convinced that was why, because as a storyteller and draftsman he had very few peers. Seriously…look at his lines. They’re perfect. Every one. Compare his draftsmanship to Any commercial cartoonist you like. The polish he put into everything he did, no matter how small or trivial, is intense.

He was at the top of the art form. And as a storyteller he was among the best. There’s his magnum opus, Stuck Rubber Baby, of course. But look at some of the amazing work he did in Gay Comix. Billy Goes Out for instance. At its surface it’s the story of a young gay man hitting the backrooms for some quick anonymous sex. But look deeper and there’s a heartbreaking story of love found, and lost to hate, and the struggle to go on with life, somehow, after the worst has happened. There’s one panel in it that is I think quintessential Howard Cruse in its surreality while looking life’s bad moments right in the eye and not flinching. Earlier on in the story we’ve seen one of Billy’s older relatives instructing him to keep the gay thing in the closet for the sake of his career, and in another panel telling him off handedly that homosexual love was just mutual masturbation. Billy explodes on him while his boyfriend Brad tries to calm him down. Who are You to tell us how we feel!  Then toward the end of the story we find ourselves looking down on that older relative’s grave site from above, the coffin in the ground being shovelled over by a graveyard worker. But the coffin is open and the relative is looking back up at us as his grave is being filled in, saying that his married life was horrible and he hated every moment of it but at least he has someone to cry over his grave. And, one supposes, he knows Billy won’t. Because homosexual love is just mutual masturbation, and his marriage however much he hated it, was more real than Billy’s love for Brad. The scene creeps you out. Howard gave the chillingly heartless mindset of the bigot its perfect representation in that one single amazingly and meticulously drawn panel.  

So when I posted a link to my newest ACOS episode I waved at Howard, because his example is a big part of why I keep working on it. And as he always did, because he had a big heart, he waved back, and encouraged me to keep at it, that I was making a difference too, just by putting my story out there. You get encouragement from one of your heroes and it really lifts you up.

And now I am more determined than ever. I’m going to miss him. But looking through the tributes he’s getting from the community…cartoonists, activists, family and friends…it does my heart good to know he Was successful at the most important thing of all. By coming out and telling his stories, he made a difference, a real substantial difference, in people’s lives. He was loved. He touched so many lives. And he showed us that we could make a difference too…all of us…whether by art or activism or however…by being our authentic selves, and telling our stories. That is how you defeat hate.

Facebook tossed this memory back at me earlier today…

This is the winter of 1971. I’m 17. The artist at work. 

I love this one, unruly hair, oversized canvas jacket that I thought was oh so stylish, and mismatched shirt collar though it is. It was taken by a friend with my camera for possible inclusion into the yearbook. In my senior year I was staff cartoonist for the student newspaper (The Advocate…really) and was also made staff photographer after the previous one had a tiff with the editors and quit. What I like about this shot is my friend actually managed a snap when, for an instant, I got into the drawing I was working on and was actually concentrating on it there for a moment. It’s not often I get to see my concentration face.

I’m posing at one of the art room desks, not pretending to draw but actually drawing one of my newspaper cartoons. Even though the shot had to be posed I insisted I would be working on something for real, not faking it. That has always been my photographic style. In this shot you can’t see my hand with the pen in it, but that’s the drawing on the board and paper in front of me. The tackle box also in front of me is typical. The artist’s tool boxes they sold in art stores were Expensive and I noticed they looked a lot like the tackle boxes they sold in the sporting goods section of most department stores, which were a lot cheaper. To this day I have a tackle box full of drawing stuff on my drafting table.

And this by the way is why to this day I draw on a horizontal surface and not with the drafting table top tilted at an angle like I see a lot of other artists do. All my grade school art rooms had tables like these and I just got used to drawing that way. And see the board I have the paper on. I still cut Masonite boards to use for drawing and tape the paper on them. Then I have the paper on a nice smooth solid surface I can turn this way and that while I’m working on it and even tilt if I really need to.

Dear night brain… I really do appreciate the vivid dream I had just now, of being back in the apartment with mom when I was a teenage boy and she overhears me thinking out loud about the guy I was crushing on in school and tells me it’s okay and she understands how it is to be seventeen and falling in love because she’d been there too. But these vivid dreams about mom are disturbing. Please stop. I miss her a lot. But she died almost two decades ago after the stent they put in her slipped.

Sigh. It wasn’t until just a couple months before she died she finally accepted it, and wished me the happiness I needed, if not the one she would have liked. I wish we could have talked more. She would have liked any one of the three I crushed madly on. I could have brought them all home to her in a better world. Mom…this is my boyfriend… They’d have got along great. But that didn’t happen. I couldn’t tell her anything back then. She knew, but didn’t want me to say it. I have her diaries. She agonized over it. Two months before she died she told me it was okay.

It took a lot for her to get there. We both missed so much because of the homophobia of her religion and upbringing. I’m sure that’s what these dreams are about. I suppose deep down inside all this will never be settled. That was a very nice dream but I wish they would stop.

I tell myself that in a better world I’d have figured this out back in high school, had a good cry over it and moved on. But even in a better world back then I’d have still been a thoroughly twitterpated teenager with no life experience and no common sense, so probably not.

Sometimes, what the lover perceives as shining armor is actually a carefully woven, pretty little cocoon around a soul that never learned to love itself enough to laugh back at prejudice. And then one day you find yourself stunned, wondering how that could possibly really be fear and shame because loving them swept all yours away.

Oh well. Maybe LonerNoMore can post a comment here about how I’m still living in the past and that today is a gift and that’s why it’s called the present.

Out for a cigar walk this evening, after drinks and dinner at Rocket To Venus. Thinking over things. I came home and the feral calico cat I’ve been feeding and providing shelter and food for, came up to the porch looking for an evening meal. I brought the dish out for her and, as usual, tried to keep her a tad away from the bowl as I put it down. She’ll swat at me if my hand gets too close, which it will if she gets too close to the bowl as I put it down. Usually, this involves me putting my foot between her and the bowl until I get it situated on the concrete porch floor. This time accidentally, I managed to step on he paw and she yelped and now I’m the enemy and she won’t come close. I called and called and apologised profusely. But of course cats don’t understand any of that. So she’s gone. For now. Eventually I suppose she’ll come back. There is food and water here after all. But I’ve just about had enough.

Enough of all these one-way relationships in my life. I let myself put my heart into these relationships that never give much if anything back and I’m tired of it. She’s a feral, granted. I knew that when I first started putting food out for her, but it’s like a recurring thread in my life I am getting really tired of. She won’t let me touch her, she’s so skittish. but I’ve grown fond of her nonetheless and I get almost nothing back out of it but her occasional rub up against my door or my foot if she’s feeling safe enough. I didn’t mean to step on her paw but she’ll swat at me and draw blood if I get too close. If she doesn’t come back I will be heartbroken but such is what it is. My other neighbors feed her too so she won’t go hungry. I’ve become accustomed to this sort of heartbreak.

I don’t need these sorts of relationships in my life anymore, where I put my heart into it and I get nothing back. It’s how my life has gone for…well…mostly all of it. And I’m tired of it. Crushes, attempted boyfriends, putting my artwork out there and getting silence back, wearing my heart on my sleeve and getting battered, so it goes. I need to assert some degree of self respect in these things. I know…cats. Especially the feral ones. They’re not domesticated. They don’t trust humans and they’re skittish and they have to be to survive. Some gay guys too. Especially ones of my generation. But I’m tired of it. I need to be loved back. At least a little. She can go somewhere else and that would be good. I’d actually like to be able to sit on my front porch again and enjoy the evenings. Alone I suppose, but at least not loving someone that won’t love me back.

I’m going to start a gallery of foodie shots of every nice dinner I’ve had on March 6 since 2016…

…but first…

Afternoon of March 6, 2016.  One of the shots I took inside one of my favorite watering places in Walt Disney World (the other two are Tune-In Lounge and Jock Lindey’s Hanger Bar). The margarita before the storm. Plus chips and jalapeno and cheese dip. Hot? Ohhh Dios mío…the day is about to get hotter…

The Kobe beef steak I was having at the Brown Derby when I got scolded. In retrospect it would have sounded better in the original German…

Rocket to Venus 2017…their absolutely decadent pork steaks and garlic mashed potatoes. I’ve been mourning the loss of this item on their entrée menu for a long time…

Rocket to Venus 2018 (noticing a pattern here?). I forget what this one was but it was amazingly good, as always. I can’t recommend this Hampden, near The Avenue eatery enough.

And here I am drinking my margaritas every march 6 since 2016.

Probably heading out to Rocket to Venus again for dinner tonight. Because the food is great, the staff are nice, and one of the bartenders is very nice on the eyes, doesn’t mind my gawking at him in disbelief, and I can get drunk enough I can appreciate the sight of a beautiful guy and not feel any pain. Plus I can walk home stinking drunk and not be a hazard to everyone else on the highway. 

Prost!

The day Brokeback Mountain got an Oscar nomination, and the stately senior members of the Screen Actors Guild, appalled, said that John Wayne was rolling in his grave, they knew who it was they were talking about…

John Wayne’s Racist and Homophobic Playboy Interview Resurfaces, Twitter Reacts

At the top of the interview, the then 63-year-old is complaining about the “perverted” movies currently being produced, when the interviewer asks him which films he means.

“Oh, ‘Easy Rider,’ ‘Midnight Cowboy’ — that kind of thing,” he horrifyingly replies. “Wouldn’t you say that the wonderful love of those two men in ‘Midnight Cowboy,’ a story about two f–s, qualifies?

“But don’t get me wrong. As far as a man and a woman is concerned, I’m awfully happy there’s a thing called sex. It’s an extra something God gave us. I see no reason why it shouldn’t be in pictures. Healthy, lusty sex is wonderful.”…

Go read all of it. None of this would have surprised anyone the day that Playboy interview was published. Wayne’s hard core right wing kookery was an public joke even back then. Except of course among his fellow Hollywood nutcases like Reagan, Linkletter, DeMille and various studio heads to the right of McCarthy and Nixon. Scratch a homophobe, find a racist…

“I believe in white supremacy until the blacks are educated to a point of responsibility. I don’t believe in giving authority and positions of leadership and judgment to irresponsible people.”

None of this would have been surprising or controversial to Wayne’s associates in the industry. They would have been nodding their heads in agreement reading it, and telling themselves it was the communists, the New York Jews and all those dirty fucking hippies who were causing trouble with the coloreds. And outside of there, everyone just about knew where Wayne stood. He never made any bones about it. 

None of that registered on me when I was a kid watching raptly whatever was playing in the theaters that week. Back then movie theaters were Palaces where a schoolboy’s dreams and adventures came to life. I used to make a bee line for every new John Wayne flick that hit the theaters. They were Fun. Lots of things were back in those days.

Then I got a bit older, puberty switched on my hormones, and one day I found myself completely twitterpated by a classmate, a junior with long hair, dark eyes to drown in, a smile that made my knees weak, and long legs that moved his hips in ways that made me shiver every time we crossed paths. One day as we walked together out of school he put an arm around my shoulders and I didn’t come back to earth for hours, and when I did I knew something about myself. And also that movie stars I watched raptly on the silver screen, and Science-Fiction writers whose books I devoured, and rockers whose albums I bought and listened to over and over until I wore the groves out…all of them probably thought I was disgusting human garbage.

But I was in teenage love, and nothing had ever felt so healthy and thrilling and wonderful. And if you asked me to trade the good graces of the entire fucking world for just one smile from the guy I was crushing on, I’d have done it in an instant. And perhaps I did, the moment I realized it.

I am in my middle sixties and looking back on that summer crush I am magnitudes more likely to make that trade now. Nothing I ever felt before or since was more pure. I would do it all again. Roll in your fucking graves…all of you.