I think it was something like 58-59 degrees when I took this off my brother’s balcony. 

I snapped up a copy of The Sun and The Star the moment I saw the cover art and looked at the synopsis…

…because at 69 I am still starving for stories of gay love and romance, and even though these books are aimed primarily at younger readers, I can still read them and maybe the gay teenager I once was will finally have the stories he needed to grow on. Also, it’s good to support authors that give gay kids stories to dream on.

The books are part of the Percy Jackson and the Olympians series of young reader novels, and Nico and Will apparently start out as background characters who gained in popularity with the readers. They don’t start out as boyfriends, but by the time this book came out they had become a couple.

And I’ve been digging into the story arc of these two, and I see now that there is at least one book I need to read first, before I go onto this one. It’s the fourth book, The House of Hades. I think I should read this first, not only to get a better sense of the entire series and it’s characters, but also because there is a scene in it that, so it seems, really gets to the heart of the character Nico di Angelo, son of Hades, and his inner struggle. Nico, it seems, has had a very hard life, and the process of coming out to himself has only made it worse. It’s a scene where Nico has to confront the god Eros/Cupid to get an artifact they need.

“Nico, you can do this,” Jason said. “It might be embarrassing, but it’s for the scepter.” 

Nico didn’t look convinced. In fact he looked like he was going to be sick. But he squared his shoulders and nodded.

“You’re right. I -I’m not afraid of a love god.”

By this point in the series, Nico clearly has some sort of grudge against Percy. The thinking of the others is it might be because Nico has a crush on Percy’s girlfriend Annabeth. But it isn’t that. The crush he has is on Percy. Nico’s been dealing with it, and with what it tells him about himself, by withdrawing. 

Cupid taunts him mercilessly about his hiding himself from the others, and hiding from himself, over his crush on Percy and the fact of his sexual orientation. The god forces Nico to admit the crush he has on someone who could never love him back that way. There is fan art representing this scene, but in the book there’s a buildup to it that makes it even more powerful.

“Is this guy Love or Death”, Jason growled.

Ask your friends, Cupid said. Frank, Hazel, and Percy met my counterpart, Thanatos. We are not so different. Except Death is sometimes kinder.

This is not your Hallmark Cupid…

Poor Nico di Angelo. The god’s voice was tinged with disappointment. Do you know what you want, much less what I want? My beloved Psyche risked everything in the name of Love. It was the only way for her to atone for her lack of faith. And you – what have you risked in my name?

“I’ve been to Tartarus and back,” Nico snarled. “You don’t scare me.”

I scare you very, very much. Face me. Be honest.

Wow. Just…wow… 

If this invisible guy was Love, Jason was beginning to think Love was overrated. He liked Piper’s version better – considerate, kind, and beautiful. Aphrodite he could understand.  Cupid seemed more like a thug, an enforcer.

Lots of us have probably met that Cupid at one time or another. Gay men of my generation especially. If you haven’t, consider yourself very, very lucky.

…since my last post here, I know.  I’ve been on a wee road trip to the ancient Garrett homelands in Oceano, California. It took me through the amber waves of grain, up to nearly the tree line in altitude on I-70 in the purple mountain majesties, through stunningly beautiful canyons and across the Utah/Nevada/California desert in the ongoing blistering heat wave. Car trouble was experienced and diagnosed at a Mercedes dealer in Utah, I was able to proceed to my brother’s house in Oceano, where I shall hopefully and shortly finally get the emission system recall done and give my car some detailing love at a local place that always does excellent work.

I’ll tell more about it later. But I just want to add that I’m not kidding about how hot it was going from Grand Junction almost to the California coast. You stepped out of your motel room or your air conditioned car and into a furnace. Then I get to Oceano and start unpacking the car and it’s in the high 60s and there’s lovely cool breeze and I might not go back home until there is snow on the ground in Maryland.

As I write this it’s sunny blue skies and 56 degrees here in Oceano. 

I’ve re-enabled Ex-Gay Watch on my blogroll and added Beyond Ex-Gay to it. I disabled (basically just commented out) Ex-Gay Watch after they shut down. Now they’re back because the darkness is roaring back. The link is a bit different so if you have it bookmarked use the one in my blogroll. I’ve added Beyond Ex-Gay after reading the last passages in Boy Erased and being horrified all over again at what was being done to so many young hearts.

Boy Erased…I finally got my way to the end of it the other day. Christ that was a difficult read…especially those last few pages where the kid curls up in a ball and has a breakdown in his mother’s car and she’s scared to death that he’s going to kill himself and finally decides he’s not going back to Love In Action.

The author of Boy Erased mentioned Beyond Ex-Gay at the end of his book and I realized I hadn’t added it to my blogroll, probably because it’s a private community of survivors and I am not a survivor of ex-gay therapy (just of the ongoing torrent of hate directed at all of us). But others can read the stories they’ve posted and I strongly recommend that to everyone who might be wondering if there isn’t something to it after all.

Yes there is. Evil. The worst kind of evil. The kind of evil that thinks itself righteous.

Facebook gives me memories. Today’s remind me that I was seeing trouble ahead just a couple years after I reconnected with him…

I remember this. We’d fallen into a pattern where I’d hang out for a bit after closing and he’d come over to my table and we’d chat for a bit. Some years later I worked up the courage to ask him why we couldn’t just hang out maybe on one of his days off and he told me straight up that wouldn’t happen because he’d made his allegiances and he had to stay inside his comfort zone. So those little after hours chats were all I ever had with him. And almost right away I began to see a darkness within that stunned me. In my hopelessly twitterpated state that was the last thing I expected to see.

It really shook me…

All those years after high school I’d put him up on a pedestal in my memories, and then thirty years later, with that much more life under my belt, I saw the person. And I saw what the world had done to him. And it wasn’t as if I hadn’t seen that before. By that time I’d already been years working with others in my tribe fighting against ex-gay therapy cults like Love In Action and Exodus and I’d listened to the stories of people who’d been put through all that firsthand. It made me angry and it made me determined, but it was easy for me to keep the hurt tucked safely in a place far away from my own personal life. I had escaped all that through luck and my innate stubbornness. But I hadn’t really. I glimpsed it that day and it stunned me and there it was, tapping me on the shoulder, letting me know that none of us escaped being damaged by that torrent of hate we all had to live under. There I was, out and proud and unashamed and willing to take the hits I had to take to live an honest life. And in that moment I saw how much, really, all that mattered. It didn’t. If the world can’t cut us directly, it’ll cut the ones we love and that does the job equally well. None of us escaped it. Not a one.

After high school he vanished from my life and I went on to have a few major crushes, and fell deeply in love two more times. Once disastrously to a straight guy and once more to a gay who mostly just needed someone to fuss over him for a while. I was serious and he was casual and he told me we were just friends with benefits, and that was the end of my quest for love and joy. And the only one among all these who wasn’t damaged in some way by the climate of hate was the straight guy.

I try so hard not to hate the world back. I see all the expressions of love and support during Pride month this year and it helps a lot. I was basking in it a few weeks ago in Walt Disney World, and its surrounding communities. It made me feel fully human and recognised, in a way I just couldn’t when I was a teenager. 

But then I remember what happened… 

In my drawings I have always worked to very well defined lines like the cartoonists I’ve admired most (Howard Cruse for example). It’s only lately that I’m discovering that if I let my lines get a little scruffy, like in my roughs, the finished artwork seems more lively.

And it’s easy in Procreate, to simply make a duplicate layer of the rough blue lines instead of just inking over them in a fresh blank layer, and then changing the line color from blue to black. I will still tidy things up a bunch, but not to the point I’m taking away the scruffiness. That most recent drawing I posted the other day is, I think, the beginning of a new(ish) style for me, though I did it once before. But that one happened because I was feeling too tired to do my usual ink lines so I just copied the roughs and made them look inked and low and behold it worked. That last one was a deliberate attempt to duplicate the effect of that other one and it worked too.

I’m going to stick with it…at least for a while…and see where it goes. At least for the one-offs if not the multi panel cartoons. I’ve got another I’m working on I’ll post about later.

Finished with this one…

…and then made a couple prints with the good art room inkjet…

Oh lord have mercy I do believe I’ve outdone myself this time. This photo does Not do the final print justice. I really hit the bullseye with this one. Just delighted with it.

A bit more on a black & white version of the figure I sketched out previously…

I was browsing the work of an illustrator whose ink wash techniques I greatly admire, for some pointers as to how to do shading on arm and leg joints, when I came across one of his that inspired some imagining on my part.

I did this in Procreate on the iPad Plus…I find myself doing more and more artwork digitally like this. It was easy…I knocked it out in just a hour or so, then went to bed. When I looked at it this morning I saw I’d got the scale of his head wrong in the initial drawing, and that was an easy fix in Procreate. I find I need to put things away for a while so I can look at them with fresh eyes later and see where I get it wrong in the detail. I’m going to keep working on this throughout the day here at Casa del Garrett, then get back to the next episode of A Coming Out Story.

I’ve no backstory for this character…I just spent a few moments visualizing him and then drew him adding detail as I went. He’s a character in some fantasy or science-fiction adventure but I’m fine with not knowing the details of his story as I draw. It gives him an infinite universe to exist in. I did that with several panels in A Coming Out Story episode 19. Three panels in that episode are fantasy imaginings that could be about anything. Consider them the beginnings of stories that could go anywhere.

Yes, yes…costuming in fantasy and science-fiction illustrations and especially in comics can look ridiculously scant. But then again…so what? It’s all wish fulfillment. The stories…the artwork…the sexy characters…

A casual stroll through the internet tubes this afternoon, brings me to a decades old argument between Steven Pinker and Stephen J. Gould. First, from Pharyngula…

One accidental occurrence is meaningless and forgivable, but when you keep hanging out with the same group of racists for over 20 years, and when you are repeatedly informed that these are bad guys, the correlation becomes rather more substantial. 

Then, following the links, comes this from Box of Rocks…

Even though Gould passed away in 2003, Pinker still fights his ghost on the regular, probably because burns like that leave you scarred for life. He urges the members of his field to write compellingly so that they can hold their own in the realm of public opinion, citing a need to rebut Gould’s clear, well reasoned arguments against their endless and transparent attempts at reviving race science.

It is working. Sociobiology and eugenics is once again being repackaged for the public as part of the TESCREAL ideologies, pressed into service to rationalize why those with power and resources are morally justified in doing everything they can to retain it. This rebrand is made possible by those like Pinker, Wilson, Dawkins, and Dennett, who have carried the gospel of biological determinism out of the NYRB and into the public sphere for the last 30 years…

You can find the argument here and yes it is totally engaging. Gould was amazing…

If we define poetic justice as defeat by one’s own favored devices—Robespierre before the guillotine or Midas in golden starvation—then we might be intrigued to find Steven Pinker, a linguist by training, upended by his own use of words.

Ages ago I read Pinker’s The Blank Slate with interest. I was a young man barely out of my teens when I’d come to accept the notion, by way of Robert Audrey’s African Genesis (Yeah, I know…), that to understand ourselves we needed to understand those ancient animal horizons from which we, as he wrote, made our quick little march. Pinker’s book seemed to be a useful exploration of that idea. But I am also a post WWII baby boomer child, and I also had a pretty good understanding of how the fascists prior to world war two had employed a deeply false understanding of Darwinism as justification for totalitarianism, their wars of conquest, and the Holocaust. Pinker lost me part way through the book with an approving mention of Thomas Sowell, but I gamely plugged on. 

There are books on science, politics, and ideas that I will return to and read passages from over and over again, some that I profoundly disagree with but which I think are important to engage with anyway. The Blank Slate isn’t one of them. When I closed that book I never opened it again, probably because the ideas in it that I felt drawn to were expressed much better elsewhere, and there seemed a lot of posing and fluff everywhere else. I never read any of his stuff again, initially and simply because he just didn’t strike me as all that interesting a thinker. I also suspected he was more right wing than he let on (Sowell? Really??). It was much later that I saw the drift toward Charles Murray land.

What Gould was saying there in those arguments about traits evolving from things that might not always benefit the organism strikes logical man of science me as obvious, and emotional intuitive artist me as beautiful. Think of the evolutionary process as occasionally being Bob Ross seeing a small mistake on the canvas and saying “we’ll just make that a happy little tree.” What the artist knows is that the work is an exploration, and that beauty can present suddenly and unexpectedly from the most commonplace of things…things that you would never have noticed until that one small detail that changed, ever so slightly, changed everything. You put down some lines…maybe you make a mistake…maybe you draw it a little differently than you intended. You go to erase it but you look at it again and suddenly you see a direction you can take that is better than what you were thinking before.

This is the face of Stephan Borgrajewicz, who like me was born in Poland. In plate 175 it is seen by the Polish artist, Feliks Topolski. We are aware that these pictures do not fix the face as explore it; that the artist is tracing the detail almost as if by touch; and that each line that is added strengthens the picture but never makes it final. We accept that as the method of the artist.

-Jacob Bronowski, The Ascent of Man – Chapter 11, Knowledge or Certainty.

Art, like science, is a personal exploration of nature. Every line we put down is tentative. Does it add to the work or subtract from it? And the work is never finished, never final. You take it as far as you can and then you stop. This is the likeness between science and art that Bronowski illuminated for me. And as it turns out, you can see it everywhere in nature too. Evolution explores, it deals in possibilities, it is chaotic but not random; there the laws of physics behind what it does. Sometimes it is a gift to the organism, sometimes it is a dead end, and sometimes it is a dead end that, should the environment around the organism change, suddenly becomes a gift. Probably the evolutionary scientist would say that nature does whatever it damn well pleases. And the thing is, there is no plan. Only the physics of it.

“Pinker has spent his life defending those who would rank humans from best to worst…” and it strikes me as something akin to the never ending search for the great watchmaker. Surely evolution must have a purpose, and surely that purpose must be the slow steady perfection of the rational brain. And just look at us…we are the men of the mind…the great intellects of our age…surely we are the purpose evolution was aspiring to! But there is no purpose. There is only what the physics allows, and what time could make of what it had to work with on our little blue marble. That’s beautiful. It is sublime. Yes, the rational brain works for us, and very well. But it could have appeared anywhere, or nowhere. As Penn Juliette once put it, we hit the cosmic jackpot. But those that would make of our little walk from the African plains a purpose, and from that a hierarchy of race, are no different from the feverish pulpit thumpers, babbling about the saved and the unsaved (I was taught to never, Never assume you were saved), and never really wanting to know what God, let alone nature, hath wrought.

The more I am forced to consider this man due to current events, the more stuff like this keeps bubbling up from memory. 

First…the Sage of Baltimore:

He was, in fact, a charlatan, a mountebank, a zany without sense or dignity. His career brought him into contact with the first men of his time; he preferred the company of rustic ignoramuses. It was hard to believe, watching him in Dayton, that he had traveled, that he had been received in civilized societies, that he had been a high officer of state. He seemed only a poor clod like those around him, deluded by a childish theology, full of an almost pathological hatred of all learning, all human dignity, all beauty, all fine and noble things. He was a peasant come home to the barnyard. Imagine a gentleman, and you have imagined everything that he was not. What animated him from end to end of his grotesque career was simply ambition – the ambition of a common man to get his hand upon the collar of his superiors, or failing that, to get his thumb into their eyes. He was born with a roaring voice, and it had the trick of inflaming half-wits. His whole career was devoted to raising those half-wits against their betters, that he himself might shine.

Sound familiar? That was from H. L. Mencken’s killer obituary of William Jennings Bryan. But then, and annoyingly because it really embarrasses me at this age to have to admit that I once enthusiastically read Ayn Rand (Ronald Reagan cured me of this), and even kept my hard bound copy of Atlas Shrugged, this passage from said novel (thousand plus page political tract-rant…) came poking into my thoughts this morning. It’s about one of the villains in her story, Wesley Mouch (“mouch”…mooch…Get it? Get it? No Charles Dickens this lady…), who eventually becomes the nation’s economic dictator by way of trading favors and betraying every benefactor he ever had for the better deal he could get from someone else…

From then on, people helped Wesley Mouch to advance, for the same reason as that which had prompted Uncle Julius: they were people who believed that mediocrity was safe. The men who now sat in front of his desk had been taught that the law of causality was a superstition and that one had to deal with the situation of the moment without considering its cause. By the situation of the moment, they had concluded that Wesley Mouch was a man of superlative skill and cunning, since millions aspired to power, but he was the one who had achieved it. It was not within their method of thinking to know that Wesley Mouch was the zero at the meeting point of forces unleashed in destruction against one another.

One small benefit I retain from my dalliance with Rand is that whenever she comes up in a discussion about the degradation of American politics I can easily tell who is and is not talking out of their ass. Paul Ryan for example, when he said some years ago he was both a Christian and a follower of Ayn Rand. Really? REALLY?

But I’ll give the lady this: she had some really good lines (but then so did Reagan). That “zero at the meeting point” of powerful forces warring against each other metaphor has kept tapping me on the shoulder ever since Donald Trump sat down in the oval office.

Ever since that day people, pundits, and political junkies have been trying to suss out what the hell is going on inside that man. I think it’s somewhere there in the paragraphs above. A cup W.J. Bryant, a tablespoon of Wesley Mouch…and a pinch of Roy Cohn (just a pinch because that spice is Intense…).

From Tony Kushner’s Angels In America:

ROY: Your problem, Henry, is that you are hung up on words, on labels, that you believe they mean what the seem to mean. AIDS. Homosexual. Gay. Lesbian. You think there are names that tell you who someone sleeps with, but they don’t tell you that.

HENRY: No?

ROY: No. Like all labels they tell you one thing and one thing only: where does an individual so identified fit in the food chain, in the pecking order? Not ideology or sexual taste, but something much simpler: clout. Not who I fuck or who fucks me, but who will pick up the phone when I call, who owes me favors. This is what a label refers to. Now to someone who does not understand this, homosexual is what I am because I have sex with men. But really this is wrong. Homosexuals are not men who sleep with other men. Homosexuals are men who in fifteen years of trying cannot get a pissant antidiscrimination bill through City Council. Homosexuals are men who know nobody and who nobody knows. Who have zero clout. Does this sound like me Henry?

HENRY: No.

ROY: No. I have clout. A lot. I can pick up this phone, punch fifteen numbers, and you know who will be on the other end in under five minutes, Henry?

HENRY: The President.

ROY: Even better, Henry. His wife.

HENRY: I’m impressed.

ROY: I don’t want you to be impressed. I want you to understand. This is not sophistry. And this is not hypocrisy. This is reality. I have sex with men. But unlike nearly every other man of whom this is true, I bring the guy I”m screwing to the White House and President Reagan smiles at us and shakes his hand. Because what I am is defined entirely by who I am. Roy Cohn is not a homosexual. Roy Cohn is a heterosexual man, Henry, who fucks around with guys.

HENRY: OK Roy.

ROY: And what is my diagnosis, Henry?

HENRY: You have AIDS Roy.

ROY: No, Henry, no. AIDS is what homosexuals have. I have liver cancer.

(pause)

HENRY: Well, whatever the fuck you have Roy, it’s very serious, and I haven’t got a damn thing for you. The NIH in Bethesda has a new drug called AZT with a two year waiting list that not even I can get you onto. So get on the phone, Roy, and dial the fifteen numbers, and tell the First Lady you need in on an experimental treatment for liver cancer. Because you can call it any damn thing you want, Roy, but what it boils down to to is very bad news.

There’s the man. Clout. It’s all about clout. And pecking order. And favors. Who owes me favors? What can I get from them? What animated him from end to end of his grotesque career was simply ambition. You could almost rewrite that scene as between Donald and some fictional last man standing political advisor and it’s about the latest current indictment over this nation’s nuclear secrets and get on the phone and tell Vladimir you need help with some witnesses in a very unfair witch hunt, because you can call it any damn thing you want, Donald, but what it boils down to is very bad news.

The workers here (Cast Members, as they’re called) really get into it…

This happened in Orlando the other day.

It’s just a couple weeks to Gay Days in WDW and this is one reason why I’m going there with my cameras. Mostly I just want to enjoy the parks, and being able, finally, to go whenever I want now that I’m retired. I think I want a Disney weekend…okay, let’s just go…no need anymore to request vacation time… It’s been something I was looking forward to. The park reservation system and the fact that it’s difficult for single diners to make dining reservations at my favorite places made me question if I was ever going back again. But I think I’ve worked through all that now. I have my annual pass again and selling my DVC points gets me back to making stays in the basic and mid tier park resorts where I can make reservations on the fly whenever I want, which is nearly impossible at a DVC resort. So I’m back in my comfort zone there.

But Gay Days this year is a special case given all the hate mongering going on down in Florida. So to have some Mouseketeer fun with all the other red shirts in the parks isn’t just a good time this year, it’s an act of defiance. Yes, we are Disney people too. And I want to show my support for Disney since they’re taken a lot of static for supporting us. But also, I want to document what is happening down there, in my own way, with my own eyes.

(As a side note, I’m working on getting another photo gallery up here of the stuff I took during the Love In Action and the Love Won Out protests.)

Security is something you almost never even see at WDW, except at the park entrances where screenings and bag checks take place. Once inside the park you might think it isn’t even there at all. But I’ve seen it appear…suddenly out of nowhere…once.

It was in front of La Cava del Tequila inside the Mexico pavilion at EPCOT World Showcase. Someone, probably having had a little too much to drink, got upset at the wait to get in (it’s a pretty small bar with only a few tables), and started causing a loud angry scene, and so I was told later got physical with another guest. He was instantly surrounded and spirited offsite.

And it’s easy for their security to come out of nowhere because there are usually dozens of hidden entrance/exits for the cast members to come and go so they can go about their work. Walt Disney wanted all the mechanics of making the parks work kept out of sight so as not to spoil the illusions he was creating. Magic Kingdom is built on top of a network of tunnels, they call them utilidors. And everywhere in the parks are scattered little out of the way doors and passages marked “Cast Members Only”. And the really interesting part of it is nearly none of them are hidden in a way you might expect. Instead, the scenery is such that your eyes are always directed away from where they are.

And according to a certain someone I used to know who worked there, cameras are everywhere.

So I’m hoping that first weekend in June their security is on their top game. I want everyone to have a good time. I will be very satisfied if the only photos I get are of happy Gay Days Mouseketeers. Because that is a message people still need to see as a counterpoint to all the lies that are surely coming before, during and after the event.

As you can see there, outside the parks it’s probably going to be brutal. I may try to get a few shots of it, but I will have to be very Very careful.

The last time I felt like pouring my heart out on Facebook, when I was feeling like this, I got told basically to shut up. And back when I vented/brain dumped here on this life blog after my high school crush spit in my face I probably lost a few readers. I know a really nice guy who used to give me pingbacks stopped doing that then. Oh well. I reckon I’ll keep wearing my heart on my blog, if not Facebook, because otherwise I’ll just…well…nobody wants to hear that.

The Royal Farms on The Avenue plays what they assume is music to keep the local drug dealers and their customers from loitering. I object to classical music being used in this way, since it’s a favorite musical form, and I wouldn’t mind having it piped all along The Avenue. But apparently it works. Lately though, they’ve begun playing “easy listening” tunes.

My head is a mess…I probably won’t go to Howard’s memorial after all because I can barely motivate myself to leave the house to get the daily steps in my cardiologist wants. At the moment, I just don’t care. But on the theory that a good walk has always been good for my head, I go out. I try to stay out of my favorite bars when it’s like this because even my fondest cocktails would only drag my body down (it’s getting worse the older I get) and do nothing for my head.

So I walk. And walking past Royal Farms I hear this…

The summer wind came blowin’ in
From across the sea
It lingered there so warm and fair
To walk with me…

…and I knew I had it in my iTunes library because I’d bought when I heard it on Pandora long long ago in a gloom far far away. So I called it up and walked home with it playing.

And I had a memory flash of that really embarrassing gay bar scene in Advise and Consent. Vito Russo described it thusly:

The screen’s first official gay bar, overloaded to create the desired effect of otherworldliness in a previously hidden subculture, is nevertheless quite tame compared to the more flamboyant versions of later films. As Anderson enters the dimly lit bar, he is confronted by three glaring decidedly “arch” men, one of whom holds a cigarette grandly aloft. He walks past the three men, down a narrow hallway and into a room in which colored spotlights punctuate the darkness, revealing scenes of men sitting together ay candlelit tables. The music coming from the juke box, features the voice of Frank Sinatra.

Love alone…
I have sung a loser’s song alone.
Let me hear a voice
A secret voice
A voice that will say
Come to me
And be what I need you to be…

Anderson, visibly shaken, backs away and runs for the door…

Ever since I read The Celluloid Closet and even more later when I worked myself up to watching that movie, I’ve always felt it a cheap ready made Hollywood stereotype that gay bars had to have a lot of “arch” men with cigarettes held grandly aloft listening to Frank Sinatra. I figured “arch cigarette smoker” was a job listing for extras. “Must know how to hold a cigarette like a homosexual.” I had a mental image of studio property managers getting a script that required a gay bar scene, dragging out of the warehouse a juke box with several dozen copies of that same single Sinatra song listed in the menu. The sound men would have a copy in their library next to The Wilhelm scream.

Wait…don’t go…maybe the juke box has some Village People too!

And there I was, at night, in Baltimore, miserable, alone walking home listening to Sinatra. I’m the lonely old gay troll I swore I’d never become. All that was missing was the cigarette. But I was never able to get one of those into my lungs. Maybe all I need is to learn how to hold one. Archly.

And guess who sighs his lullabies
Through nights that never end…