Back When “Conservative” And “Men of Science” Were Not Contradictions
In the previous blog post I talk about how Walt Disney’s conservatism is much different from the batshit crazy thing the republicans have turned into. Here is an artifact from the early days of space exploration, within which is Frank Capra’s last film, as described below. Please excuse the period cultural and sexual stereotypes. This is important. I want you to see and pay attention to something.
First of all, understand this: Frank Capra was politically a Very conservative republican. He despised FDR and was adamantly against government economic intervention during the great depression. Try to keep that in mind as you watch the short film he made starting around 5:26 after the opening shots of rocket launches and John Glenn’s first orbit, and see what I see, while this Very Conservative man is extolling the benefits of space exploration in that eminently Capra way, as a next step in Evolution, and how it will improve our lives, improve world communication, improve The Public Schools.
…evolution’s next step…Improve world communication…improve the public schools…
In the film Danny Thomas does a staged Man On The Street series of interviews. You know it’s staged because every single character it in is right out of the Capra playbook. There’s one particular interviewee I have in mind, because that brief little passage shocked me to my core seeing it, seeing how far the conservative movement and the republican party have sunk into history’s gutter: the man who says in all deadly seriousness “Expensive? Oh knowledge is cheap, it’s ignorance costs lives and money.”
That was the America I grew up in. It is not the America I am currently living in.
Frank Capra’s final film, a short from 1964: “Rendezvous in Space”, with Danny Thomas, voices by Mel Blanc and Jim Backus. Produced for Hall of Science at 1964-65 World’s Fair. Final act includes orbital docking of Dyna-Soar-like lifting body with MOL-like space station. In performance, the screen would go dark for a few minutes and the audience would crane their necks to see a suspended animatronic “space taxi” dock with a model space station (seen here as only a brief moment of blackness with voiceover around the 14-minute mark). An astronaut mannequin would transfer from vehicle to station, and attention would be directed back to the screen for the film’s finale.
-Randall Luttenberg