Oscar Wilde said that if you know what you want to be, then you inevitably become it – that is your punishment, but if you never know, then you can be anything. There is a truth to that. We are not nouns, we are verbs. I am not a thing – an actor, – a writer – I am a person who does things – I write, – I act – and I never know what I’m going to do next. I think you can be imprisoned if you think of yourself as a noun. –Stephen Fry

Wise words that helped clarify something within me. I have always resisted the prison of being a thing, despite wanting to be a thing. There were times in my life I wanted to be a cartoonist, a painter, a photographer. Somehow it never worked. I became a computer programmer, a software systems engineer. It made me a very good living, and I am retiring comfortably on what I made, proud to look back on my time with the teams that worked on Hubble, James Webb, and for a brief period, Roman. But I was always bouncing back to one or more of those other things, telling myself that they were what I really wanted to be.

Eventually, as I grew older, I accepted that I just could not focus on any one of them for very long. I began to think of it as seasonal. Now is the season of drawing, now the season of cameras…the season of computers was when I was as preoccupied with computer work at home as I was at work. There was also a season of writing. There was a season of the open road, which often coexisted with the season of cameras. I came to see myself as hopelessly unfocused, unable to bring to any one of my creative arts the kind of fanatical single minded pursuit that would have got me a career in it. I blamed my cluttered mind. I would never have the large body of works other successful artists did. Randomly wandering between my arts and accomplishing very little would forever be my fate. But maybe it was that cluttered mind that was telling me something all along, that I never listened to: I am not a noun.

And now I’m old and retired, and looking back on all of it, I can see that I actually have accomplished a lot, if I take it all together instead of just looking at the nouns. My artwork has continued to improve, my photographic voice is purer, surer. I understand what I’m doing better. I’m happy with the life I had, random and bewildering though it often was. And lonely…so very lonely. But that’s another story for another time. Or not. Let me leave a small piece of that here, because it’s something I’m still wondering about.

He wasn’t the last guy I took a fancy to. I guess that would be the cute 30-something bartender at a place near The Avenue. It was hopeless of course, but not any more hopeless than all the others really. People who look like that… His name was Eddie. I met him on the gay BBS we both frequented back in the day. He was beautiful and for a time I was all about him. But he was not about me. So I played my trump card. He said he hated pictures of himself. I’m a photographer I told him. I can make you see how beautiful you are. Years later I was primed to play that card one more time, but people far wiser than I in matters of the heart decided not to allow it. People who look like that want people who look like that…

So Eddie and I went on trips into the country, and into the city, and he let my camera give him some love. The more I showed him how beautiful I saw him, the more comfortable he became with my camera. I did some of my best beautiful guy photography with him. And it was the last I ever did.

Eventually he started dating someone else and we went our separate ways.

Time passes, the universe expands, and a day came when I began revisiting the photography I did back in those gay BBS days. I posted a bunch of it on Facebook for the friends I made on that BBS, who I have stayed in touch with. Eddie wasn’t one of them…he simply disappeared, but for one time I saw him managing a booth at one of the gay marches on Washington. I asked him if he was seeing anyone, and he just sighed and told me relationships are So much work. I guess it all gets tiresome when you are so beautiful. I’ve never seen him since. That was before Facebook. So I when I posted a bunch of my gay BBS photography on Facebook, I probably only included one or two of Eddie.

But those tweaked my geek side because they were so damn hard to scan, being Kodachrome slides. Kodachrome slides are notorious for having a blue-ish tint in scans that’s very difficult to get rid of. I ended up buying a highly expensive scanning software for its ability to neutralize that tint. It was still a lot of work, and fiddling with those shots, I became re-acquainted with how beautiful Eddie was. And at some point I began to realize that I hadn’t done anything like it since.

Those shots of Eddie are the last shoots I ever did with anyone posing for me. Much, Much later I’d do some enjoyable work for Baltimore OUTloud, photographing some really beautiful guys wearing barely nothing at all (swim suit fashion shows). But those were all taken at public events and I was simply recording what was happening in front of me. But back in the day, when I was a much younger man, I actually did a lot of one-on-one shoots with a few beautiful guys who I could regularly ask out from time to time. We’d go somewhere, maybe to Great Falls, maybe somewhere in the city, and I’d snap away at them. After Eddie, that all just suddenly stopped.

I’ve been trying to understand this. I’ve been told a bunch…laughingly at times…that my photography is noticeable for it’s nearly complete absence of people. But I have the archive of it all right here in the house with me, and that absolutely wasn’t always true. I look back in time in my archives and I see most of what I did back in the day was people photography. Then the people seem to just vanish. The obvious answer is after Eddie I began to despair of ever finding love, and I didn’t want to keep looking into that abyss. 

Sometimes the pat answers are the correct ones after all. There’s a big gap in my photography right after those sessions with Eddie, where I stopped doing art altogether, along with painting and drawing. That was when I took up computer programming as a creative outlet, which led to the life I have now. In writing computer programs I was immersed in a world of pure logic that didn’t have to touch my emotions, my deepest feelings, where there was only despair. I managed to pull myself out of it the year after I got the job at Space Telescope, and found myself one day wandering among the carnival rides being set up for the student spring fair at Hopkins where STScI was located. That awakened something inside of me, and I began creating art again. But something had changed.

So I think of my artwork as having before the dead zone/after the dead zone periods. My catalogue of negatives and slides reflects that break in the numbering. But here’s the thing: There is almost zero creative people photography in the After period. And revisiting that time, I can see that the photo shoots of beautiful guys ended before the dead zone, when I stopped seeing Eddie.

The pat answer is now I’m too old to be asking beautiful young guys to pose for me. I came close to it that one time I was once more ready to throw down my trump card. But instead I was escorted from the table and shown the door, and now it’s all just despair there, in that one dark empty corner.

No more beautiful guys. You can say my art photography is purer now. I accept it.