The Cartoon That Was Not, About The Loves That Were Not…
…and the life that was not.
I’m going through some Google Docs looking for something and stumble across this script for a cartoon was going to do for my 60th birthday. I managed to get a few pencil sketches done but never finished it. For some reason.
This riffs off a running gag in Tim Barela’s wonderful gay comic strip Leonard and Larry…which he described once as a kind of gay Our Miss Brooks. Every tenth year Larry had a birthday all his anxieties about getting old surfaced in a dream that he was having his birthday party while laying in a coffin with a birthday cake on it and his friends making catty jokes about his getting old. Picasso said a mediocre artist copies and a great artist steals. So I stole the idea (with proper acknowledgement). But the only thing I managed to finish was the script. Probably for the best…
Here it is. As Joe Friday and my own Sargeant Stoneface would say, The names have been changed to protect the innocent. And especially the not so innocent!
The Big Six-O! (Slightly Anonymised)
SCENE:My birthday party. a’La Leonard & Larry, I’m in a casket with the lid open and a birthday cake on the bottom half lid that reads Happy 60th. Surrounding me are my three loves. We shall call them CRUSH1, CRUSH2 and CRUSH3.
PANEL 1:(Most of the following panels are as above.)
ME:I really appreciate the party you guys, and this coffin’s a swell gag, but I have to admit the margarita embalming fluid bottles was a brilliant touch.
CRUSH2:I liked the asperen bottles labeled “For Headaches Due To Lovestruck Bruce”.
CRUSH3:That was 1’s idea.
PANEL 2:
ME: (off panel) Ha, ha… Yes, very funny…
CRUSH1:(to the others) Drove me crazy back in high school watching him try to work up the nerve to tell me he had a crush on me.
CRUSH2:(rolling his eyes) I had to deal with Overly Attached Gayfriend.
CRUSH3:Tell me about it. He actually thought we were boyfriends just because I let him sleep with me a few times.
PANEL 3:Closeup on Crush2 and Crush3
CRUSH2:Sparks didn’t fly eh?
CRUSH3:(Looking morosely down at his drink) Let’s just say I went Ex-Gay for six years.
PANEL 4:Closeup on me and Crush1
CRUSH1: (Smiling, gesturing to me while looking at the others off panel) Quick, tell NARTH! We’ve found the cure for homosexuality!
ME: (Frowning) Ha, Ha. Very Funny.
PANEL 5:
ME: Can I get out now?
CRUSH1:Not on your life. We’re selling you off as a collector’s item.
CRUSH2:(gesturing to the ages) The gay man that never had a boyfriend. Too young to be liberated in 1971, too old to marry anyone in 2013.
CRUSH3: You’re a museum piece.
PANEL 6:
ME:You sold me to a museum?
CRUSH2:Museum? Are you kidding? We sold you to Disney World.
CRUSH3:You’re going to be a prop in the Haunted Mansion queue.
CRUSH1:I’ll stop by every now and then before my shift to dust you off.
PANEL 7:
ME: I’m dreaming all this aren’t I? This is all about my anxieties over getting old isn’t it…and you guys are here representing the three chances for love Vonnegut spoke of…
CRUSH1:We prefer to think of ourselves as your three strikes.
PANEL 8:
ME: This is going to turn into a nightmare now isn’t it?
CRUSH1:You’re not asleep dear, you’re hallucinating.
CRUSH2:You drank half that bottle of tequila all by yourself and when you sober up again you’re going to feel like you’re 160.
He worked hard to shock the country into dealing with AIDS as a public-health emergency. But his confrontational approach could sometimes overshadow his achievements.
Larry Kramer got a lot of static for his novel, Faggots, first published in 1978, but the line in it about how “The fucking we’re getting’s not worth the fucking we’re getting” is one I treasure for it’s righteous anger. Sexual liberation was good and necessary, but insufficient while politicians and the media continued to vilify us, and the system continued it’s relentless persecution of us. We were consigned to the gutter, the poetry of our lives and loves erased as though everything about us was perversion and pornography. Heterosexuals got prom night, the happily ever after story. We got the public toilets and bathhouses. Heterosexuals got an ideal to strive for in love and in life. We got a relentless torrent of vitriol and hate, so that we should hate ourselves at least as much if not more than they hated us. When Kramer wrote Faggots, too many people were too willing to accept sexual liberation as enough. But the fucking we were getting was not worth the fucking we were getting.
Our struggle was for wholeness. Activist and media critic Vito Russo once said it was, “…an old stereotype, that homosexuality has to do only with sex while heterosexuality is multifaceted and embraces love and romance.” And it was a common complaint back then, that by simply living our lives openly we were flaunting “it”. If I heard it once I heard it hundreds of times in the media, in letters to the editor, to my face that they didn’t care what we did in the bedroom as long as we didn’t flaunt “it” in public. But it wasn’t what we did in the bedroom that mattered to any of them, because obviously we weren’t actually having sex in public.
“It” was the holding of hands, the public declaration of love and romance, that our essential humanity, and our human needs of companionship and the longing for more than simply sexual intimacy, but body and soul communion…”It” was the public visibility that our desires and needs were little different from anyone else’s…that we did exist and that we were human beings that outraged the bigots. Because of course it did. The hated other cannot be allowed to be human. We had to be monsters, so that sticking their knives in our hearts could not be a crime against humanity.
Our struggle was for wholeness. Larry Kramer was a fierce warrior for that wholeness. He will be missed. ACT-UP, the AIDS activist organization Kramer founded, said today, “We are all orphans now.” But we carry on. We persist. For the honor and the dignity of our lives, and our loves.
Well Since I Can’t Go Anywhere This Holiday Weekend…
…I might as well do some lawn work. Especially since the rainy spring has made it hard to get it done previously. Gets the grass and weeds growing though…
So I took care of my tiny backyard in lieu of going to Ocean City NJ or somewhere…like Walt Disney World which is closed now except for maybe Disney Springs. But Florida is a hot spot I don’t want to get into for the foreseeable future. Still don’t think I’m putting any flowers or garden lights out this season because going to the lawn and garden stores just for that seems a frivolous reason to catch the virus So the best I can do for the outside of my house this year is just basic maintenance which I can do without going to the store. I sharpened the lawn mower blades a couple weeks ago, and did some repairs to the Ryobi weed whacker. At least I can keep things from looking like an abandoned house.
Standing on my deck, exhausted but pleased with the results, I had a sudden strong urge for a cigar. First really strong urge I’ve had since just before the heart attack. I’ve actually been surprised I haven’t been periodically getting those urges, but I reckon cigars just aren’t as addictive as cigarettes. No I didn’t.
Haven’t smoked one since the first week of October last year. I am well aware of the stress they put on my cardiovascular system…at least the smooth strong ones I’ve always enjoyed. It was a package deal with the pleasant nicotine buzz I got. I could feel my veins constricting. So I knew perfectly well what I was doing to myself. But I needed that nicotine buzz from time to time in my stressed out life. I’m actually surprised my psyche hasn’t demanded more of that since the heart attack. But just now it did and I didn’t. My psyche demands a lot of things of me that I either can’t or won’t give it, or infinitely defer it. Another trip to California for instance, right this minute for instance.
Some Days The Only Way You Know You’re Alive Is By How Much It Hurts…
The more I read about schizophrenia the more I just want to curl up into a ball, cry my eyes out for a few hours, then go retire to some Ted Kaczynski cabin in the deep woods where I have no connection to the rest of the world and I don’t have to know what has happened to anyone I ever knew or felt anything for…in friendship or love…and I can imagine they all have wonderful lives and they’re having that happily ever after.
Don’t even bother asking me why I don’t believe in an almighty god anymore. But I still believe in love. It’s a real thing. I can tell by how badly it hurts.
So many things this human race needs to find a solution to, a cure for… Schizophrenia. Cancer. Cardiovascular disease. HIV. Loneliness. Death… We still have our work cut out for us…
My guilty pleasure during quarantine (or lockdown if you prefer) is watching re-runs of Forensic Files. It’s basically a procedural crime solving series that mixes documentary footage with sometimes disturbing reenactments. If I take anything away from it, besides the fact that the science is such now I don’t see how anything can think they’ll get away with murder, it’s how often women are killed by their husbands or boyfriends. It’s pretty sickening.
Occasionally, very occasionally, the victim is gay. Since their murder is being profiled on this series, you know in advance the killer will be caught and sent to prison. That relieves some of my stress watching one of these episodes. Once upon a time I and another user maintained a news section on our local gay BBS, and I saw a torrent of stories flash across the wire services about gay bashings and murders that happened here and there all across the country, nearly all of which never made the local newspapers or news broadcasts. We were the dirty secret best not talked about in family newspapers. Which was why we were so diligent about maintaining our BBS news section: back then there were very few ways of knowing what was happening to us. I’ve told the story before about how back in June 1977 I had to start up my shortwave radio and listen to the BBC to find out what the results were of Anita Bryant’s campaign to overturn gay equality laws in Dade County Florida, because none of the national or local news broadcasts even bothered to say one word about it.
So the other day I’m watching Forensic Files and see the episode Cop Out, about the murder of Jesse Valencia, a gay college student, by an older man, a police officer no less, who’d essentially been using him for sex. The cop met the kid after (I think) a traffic stop. Or maybe it was a loud party. The ticket he wrote for the kid was a piece of evidence used after the cop said he’d never met the kid and didn’t know him. It was a mutual thing until the boy found out the cop was married. He was young, proud, out, and he decided to break it off. And the cop killed him for it. The speculation, and that’s all it could have been, was he threatened to out the cop if he didn’t stop coming around, and that’s what provoked the murder. That’s the obvious motive…I can see why a lot of people might assume that was it…but I think seeing that self respecting pride in the kid telling him to go away because he didn’t want to be involved with a married man was what did it.
The forensic evidence against the cop was slight, but they nailed him. To this day he denies killing the kid, despite the fact of his body hair being found on the kid’s body, in the kid’s blood.
Kids…don’t get involved with an older closeted gay person. Step by step they will try to drag you into their closet too. And if you refuse you may end up being a sacrifice to the empty mask the closet makes them wear every moment of their day.
When I was a young man, and out to myself and mostly comfortable with it, I was invited to go on a motorcycle ride with a friend’s girlfriend, to see her father’s place. It would be, so she said, of interest to an artist such as myself. And so it was. She was rightly proud of him, but also a tad reluctant to let people meet him. He was of the sort of random creative genius whose artwork could not be contained. He’d made himself a house inside an old airplane hanger the interior of which seemed like an art museum. A haphazard yet fascinating art museum.
‘C’ invited me on a drive to see him on her BMW motorcycle. It was only the second motorcycle I’d ever taken a ride on, the first one being her boyfriend’s Harley. Her boyfriend and I were pals going back to when we were both teenagers and by that time he’d let me have lots of rides on his hog. I loved it. Plus, the design of the seats on a hog were such that the passenger on the back rode a tad higher than the driver, allowing you a better view.
‘C’s BMW had a seat that left the passenger staring into the back of the driver’s helmet unless you were taller, which I wasn’t. I got on and she started out and I put my hands on her hips because that was the only place I had to keep a grip on. She didn’t seem to mind.
As I said, by then I was out to myself, had been for years, and fairly comfortable with the idea of being sexually attracted to men. I knew at some deep down level that it wasn’t a matter of being afraid of women like the couch psychiatrists said. I wasn’t afraid of them, I was never sexually abused, nobody turned me homosexual. I simply had no interest. Women were not on my radar the way guys were. Some guys. Cute sexy guys (see my recent art posts). I wasn’t repelled, I just had no interest.
And just then all I wanted was to make sure I wouldn’t fall off the back of ‘C’s BMW. So I reached around and held onto her hips. It was the first time I’d really put my hands on and held onto a woman in my own age group. I had plenty of hugs from mom, and maybe though I don’t recall some of my other older female family and the other church women. This was a young women who, had I been a heterosexual male, I should have found myself attracted to, at least to some degree. She was lithe, physically fit, beautiful according to my left brain. My friend was head over heels in love with her.
My hands instantly discovered how soft and…well…squishy her body was. And my instantaneous reflex deep down inside was along the lines of Oh, that’s…odd…
This was a fairly outdoorsy, athletic young woman. And yet her body was…soft. Well defined, shapely even, according to my left brain anyway. You wouldn’t look at her and see anything overweight about her. But her body was…soft. Which I understood to be how it was with women. Logically I supposed this was something that excited heterosexual males about a woman’s body. But that was the first time I’d actually felt it. And it seemed strange. By then I’d had my hands on the hips of her boyfriend, ‘B’ many times while riding with him. For a short time I even had a crush on him. But if he wasn’t a perfect Kinsey 0 he was close to it.
I remembered something much later after our ride…how ‘B’ had given me a ride on his hog one hot summer day. We had on our helmets, jeans and light summer shirts. His was opened in the front. Suddenly he told me to hang on, because he was going to punch it…something he knew I loved. That Harley might not have been race track material, but it had massive amounts of torque. When you got those flywheels going and banged it up a gear it was stunning. So I reached around and this one time my hands connected with the bare flesh over his stomach, felt the muscle under his skin, and instantly this electric sexual thrill shot right through me.
I never told him.
But there it is. In a nutshell, the difference between a male body and a female’s. It’s not just genitalia. It’s the physical totality of it. One is exciting. The other is…meh. That isn’t something you learn like a bad habit. It is how you’re wired.
When I was a teenager this was something the heterosexual majority didn’t seem to want to know. But we knew. To a more limited degree I knew the moment I came out to myself, while crushing on a male classmate. It was how I was wired. Nothing else made sense to me. And if you’re ever wondering why the secular and religious right have been on a scorched earth culture war against science and education, here’s a data point about that…
In an important book, he challenged the widely held Freudian notion that same-sex attraction was curable, finding it instead rooted in biology.
We have been telling them this since Stonewall…those of us not so badly damaged we desperately sought out a cure for something that needed no cure. But science has been telling them this same something about us for decades now, that they’ve never wanted to hear: That human sexuality, let alone reality, doesn’t not care what their religious and moral dogmas say. It is what it is. And what it is, is older than the fish, let alone the mammals, let alone the primates, let alone us. We bear within us every waking moment of our day the living history of hundreds of millions of years of life on earth. And those ancient tides will pull and tug on his whether or not they make sense to the lives we live now. We can be our best, only when we honestly try to understand how those threads move within us. Only then can we learn how to honorably live with them.
His 1988 book, “Male Homosexuality: A Contemporary Psychoanalytic Perspective,” showed that sexual orientation was largely biological and presented a case that helped undermine the belief held by most Freudian analysts at the time that homosexuality was a pathology that could somehow be cured.
When the bird and the bird book disagree, believe the bird. We are not that different from our heterosexual neighbors. We can make our contribution to civilization. But we have to be allowed wholeness. Damaged humans, do damaged things. To themselves. To each other.
There is nothing wrong with us. There was never anything wrong with us. Science has been telling them that for decades now, and that is one reason why science, reason and education became the number one enemies in their scorched earth culture wars. We were just the convenient scapegoats of men who hate existence, and beauty, and the awe and wonder of love and desire, and everything fine and noble a human can be, that they cannot.
In the complaint (there’s a PDF link to it in the article) are two actual businesses, both recreational: Antietam Battlefield KOA and Adventure Park LLC. They have at least a plausible claim to economic damage. The others are preachers, one church member, a couple delegates, and one of those shadowy astroturfing groups that’s probably behind it all. The right wing billionaires behind it could probably afford to pay the preachers for missing their tithing plate money but would rather attack the idea that government has anything to do with securing the safety and welfare of the common man and woman. Government is for securing their prerogative to use the rest of us as they see fit.
The preachers have zero concern for their flocks and don’t seem to care at all if a percentage of them, particularly the older sicker ones die horribly. That really says it all for their ersatz Christianity. Perhaps they need their collection plate money. But more likely it really is just simple tribal hatred of science and knowledge and those of us able to cope with this pandemic by using our brains. That is after all, the unforgivable sin.
I never really started paying attention to this reflex in the kook pews until I was older and more invested in the gay civil rights struggle. The science that said we were as normal as anyone else was the enemy. They built entire massive artifices of junk science to wave back at us. It took me a while to realize that providing a counter argument, even if it was completely nuts, wasn’t the point. Propaganda doesn’t merely serve to make people question what the facts really are, it exists to make people stop believing in facts altogether. The point was to erase the notion that any of us in the pews let alone the outside world could decide for ourselves what is and is not factual and true. It wasn’t just about Teh Gay, it was everything that challenged their authority over the hearts and minds of the people. This is appalling in any religious denomination, but especially so when it’s coming from a Baptist pulpit. But I suppose, not a Southern Baptist pulpit. If I saw this when I was a teenage boy I’d have turned atheist a lot quicker than I did.
How To Draw Pictures Of Sexy Guys Wearing Glasses In X Easy Steps…(continued)
I think I’m pretty well done with the blue ink roughs on the figure. I had his body shape wrong due to putting the book in place before I’d finished with the rest of him and it confused me a tad. The solution was to put the book on its own layer I could switch off and on as I worked on drawing him.
Procreate has a nice perspective grid you can switch on and set vanishing points for. It’s going to help a lot as I draw the bookshelves he’s leaning against.
Wow…the JPEG artifacts here are really annoying. But I’m just posting these to share my process with whoever stumbles onto this blog. When I post a finished piece I’ll use a better compression algorithm.
Probably get the inks on the figure done, or close to it, tomorrow. I haven’t decided on a title for it yet.
No offence to the singer here, Ty Herndon, who came out last year and changed the pronouns of this song, which was a hit in its previous incarnation. It’s wonderful in so many ways. That he found the courage to come out and live an honest life. That he updated this song with the pronouns that reflect how his heart saw the song when it first came to him. That gay kids and adults can hear music that speaks directly to us. So long have I mentally flipped a pronoun or two while listening to pop music, to at least imagine it speaking to me.
But for reasons I won’t go into now…or maybe ever…this particular song is both wonderful and devastating. Now I need a drink…
How To Draw Pictures Of Sexy Guys Wearing Glasses In X Easy Steps
Well…okay that How To Draw…thing is a bit of a running gag around here and this is a more serious attempt to to do some quality sexy sketching, and keep my mind occupied on something other than how quarantine is making it sadly obvious that I need a road trip Now and I Can’t Go Anywhere!
This one’s going to take a while like the last one did, because the plan here is he’s leaning up against a huge set of library shelves. Dozens and dozens of books. It’s the sort of drudge work I dislike because it gets so boring and I get impatient and then I get sloppy. So I’m trying also to consider this an exercise in artistic self discipline.
I’m being a tad more Safe For Work here on these than I’ve occasionally been here on the website because I’m also sharing these to my Facebook page, and so they’ll probably show up in co-workers screens. They all know I’m gay, and my employer is fantastic about supporting their LGBT employees, nobody really cares. I’m just trying to stick to a line I’ve drawn about my sexy sketching for the time being so I can freely share. But deep down it’s also, maybe mostly, about my getting more comfortable being an out gay man.
You’d think by now that wouldn’t be an issue, but I came out to myself in the early 1970s, and it’s been a struggle all my life to simply give myself permission to be me. I gain a little more ground every year but it’s never the whole of it. Gay kids of my generation had to hide their desires. The adults we grew into have had to work and freeing themselves from that ball and chain ever since. My cartoon series A Coming Out Story is about the beginning of that struggle. I’m 66 now and it never has ended. I’m actually feeling proud of myself sharing these on Facebook with Everyone and shining a small light on this part of me unafraid (mostly).
Also, it Is fun to walk up to the line and not go over it. I would much rather be teased than have my buttons pushed.
It’s too late for me to have the young adult life I should have had, that we all should have had. But I can at least nod to it from time to time, look back and relive the wonder of discovering the beauty of men. Well…of a certain sexy to me type…
Finished. On to the next one tomorrow. But must mow the lawn first…
You can go back through the sequence of these and almost see my desperate hunt and peck, erase, draw, erase, draw, erase, draw technique. I will frequently draw something one evening that I am thoroughly satisfied with, that upon viewing the next morning looks completely wrong. Once I drew a figure seated at a park bench with his legs crossed and I gave him backwards left/right feet by mistake and didn’t see it for a couple days. Luckily I was in the stage of things where I was adding colors to it in the computer and I was able to fix it. But the inks in traditional media still have that mistake in them.
This is why cartoonists don’t always sell or give their originals away.
This is helping me stay sane during quarantine. When the abyss stares back into you, shout beauty back.
Probably Not Quite As Safe For Work As The Others…
This one’s probably not as safe for work as the others. But I’m dealing with quarantine and a variety of other things I won’t bring up now and I reckon I’m just more willing to share this side of me and my artwork than usual. Hopefully everyone who can’t handle that Bruce is gay and likes guys is already out of my life (Hi Glenn!), or has already defriended me on Facebook (Hi Burt!), and this is about as brazen as I get artistically anyway.
He’s looking out into a bright sunny dawn, from inside a darkened old stone building. This is going to take some more work than the others, so probably won’t be finished with it for several days. I actually have to spend most of my awake time teleworking until the weekend.
Total deaths in seven states that have been hard hit by the coronavirus pandemic are nearly 50 percent higher than normal for the five weeks from March 8 through April 11, according to new death statistics from the Centers for Disease Control and Prevention. That is 9,000 more deaths than were reported as of April 11 in official counts of deaths from the coronavirus.
The new data is partial and most likely undercounts the recent death toll significantly. But it still illustrates how the coronavirus is causing a surge in deaths in the places it has struck, probably killing more people than the reported statistics capture.
Since our testing capabilities are basically maybe a half-step about non-existent then…yeah…this is almost certainly the case. Go read the whole thing. The included graphs alone tell an alarming story.
Some of this increase may be due to people just not going in, or not able to get in, to their health care providers for things that arise and then they get fatally worse. But that should be balanced out by a much lower rate of traffic fatalities, and the sort of accidents that happen outside the home. The fact is we don’t even know how many of us have or had the virus. We’re flailing around in the dark here. But this is ominous.
I think I’m really warming now to the advantages of digital media. And I’m actually getting comfortable with the tactile feel of drawing on a glass iPad screen. I didn’t think that would be possible.
Probably start another one tomorrow. That’s a Jackson Pollock bandana he’s sporting. In color while the rest of him is grayscale because I do that mixing up color and grayscale when it works for me. Have I mentioned how much I hate that damn hanky code?
If you were to ask me why I’m doing these just now, and if I was still religious, I’d refer you to the morning headlines and the daily death toll, then point to this one and say that beautiful guys are my proof that, despite everything, God is good. Well I’m not a believer anymore and haven’t been for decades now, but I can still say they’re my proof that life is good and worth living despite everything in it that makes you hurt. Like the daily death toll from COVID-19. Like Trump and his death cult republican base. I very much need these proofs.
In my worst jags of cynicism and pessimism I never expected to see the human depravities I’m seeing now. Not even during the AIDS plague when they were all but openly rejoicing in our suffering and dying. They’ve gotten worse since then. So I draw beauty. When the abyss stares back into you, answer it with beauty.
Further Sexy Sketching In Lieu Of Climbing The Walls…
Doing another one….
No go-go boots this time. I’ve moved on.
These are coming out of me pretty easily now. I seem to be doing more work than usual at the kitchen table lately. Possibly because the iPad is easy to use here whilst snacking out. More probably because the basement isn’t really a good place for an art room as its only light is from the ceiling fluorescents. But I have no other place in the house to put it. There is no sunlight. And the bar is way too nearby. That’s really not a good atmosphere to be creative in. Unless maybe you’re a detective novel writer.
The kitchen seems to be my hangout when I’m not teleworking. But I’m beginning to appreciate why Van Gogh once said it was either paint or go mad. But then he went mad anyway, so there’s that.
I’m going to make his bandana a tie-dye just to confuse everyone…
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