Why I Will Probably Never Make Much Doing Political Cartoons
Oh this is precious…you have to read this post from this post from Tom Tomorrow’s blog, if you’re an aspiring cartoonist, someone like me who is just starting to get their feet wet in the publishing world, or simply a fan of the art of political cartooning.
Now, the thing is, I’ve been down this road a number of times. And this is how it always plays out: a well-meaning art director contacts me. I submit a "rough (which in my case means a completely written cartoon with roughly sketched in art, but since the writing is the hardest part, there’s no way I’m getting anywhere near compensated for my time unless the piece runs — which is why I almost never accept work when the words "kill fee are involved). Even though I am given the impression of a very tight deadline, I won’t hear back for several days, possibly longer — which will leave me obsessively checking my email and mentally juggling my schedule. Then, after the well-meaning art director finally gets a chance to consult with the page’s editors, he or she will come back to me with the inevitable requests for "minor changes" which will somehow undermine, if not completely eviscerate, the integrity of the piece.
Go read the whole thing. You won’t believe what finally happened.
So I ended up googling it, but now I know what a "kill fee is…